“Sire,” said Mogor dell’Amore, calmly, “I am attracted towards the great polytheist pantheons because the stories are better, more numerous, more dramatic, more humorous, more marvellous; and because the gods do not set us good examples, they are interfering, vain, petulant and badly behaved, which is, I confess, quite appealing”.
“We have the same feeling,” the emperor [Akbar] said, regaining his composure, “and our affection for these wanton, angry, playful, loving god is very great.”

Salman Rushdie
The Enchantress of Florence (London: Vintage Books, 2009), 175

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