Hayagrīva in the Hayaśīrṣa Saṃhitā

Hayagrīva previous to Veṅkaṭanātha seems to have a non-specific Vaiṣṇava iconography, with only his horse-head as a fixed element. He is, for instance, a standing figure in Khajurao, where he carries a club and has one hand in the dānamūdrā.

Hayagrīva at Khajurao

By contrast, after Veṅkaṭanātha, the iconography radically changes and two possibilities become fixed:

EAAA on reuse in visual arts

As you migh already know, I am leaving tomorrow for Olomouc where I will host on Friday the 26th with Julia Hegewald and Cristina Bignami a panel on reuse in visual arts. Here is the program of our panel:

Title: Re-use at the Borders of South Asia: Himalayas and South India
9-9:30 Elisa FRESCHI “Reuse in Texts and the Arts: The case of Hayagrīva’s Descriptions”
9:30-10 Julia HEGEWALD “The Theory of Re-use as a Method in Art-historical Research”
10-10:30 Gerald KOZICZ “The re-use of the nidhi iconography in the Tibetan context”
10:30-11 Verena WIDORN “The use and re-use of aesthetic concepts in the Himalayan area”
BREAK
11:30-12 Cristina BIGNAMI “The re-use of the iconography of the lion/tiger in the Karṇataka Medieval sovereignty
12-12:30 Tiziana LORENZETTI “Appropriation and re-interpretation of symbolic and architectural elements in the Lingayat religiosity”
12:30-13: Mallica KUMBERA LANDRUS “Sharing and reshaping collective memories in Portuguese Goa”
LUNCH + TOUR etc.
17-17:30 Elena MUCCIARELLI “The Plucking of different flowers: Re-use in Kerala theatrical tradition”
17:30-18 concluding session: DISCUSSION

Should you come to the conference, don’t forget to join the discussion (or to join me for a coffee break).

Christianocentrism?

I am often inclined to think that some battles have been won and that people will, like Brian Leiter notes, ignore Indian philosophy, but probably also feel they should not. Then, sometimes I am brought back to reality, in this case by the introduction of an otherwise interesting book about the function of images in Christian theology. The blurb says that

“None other among the great religions has ever had a comparably deep relation to the images of God as the Christian faith […]”

(Nessuna delle grandi religioni ha intrattenuto con l’immagine un rapporto così stretto come quella cristiana, fede in un Dio trascendente e incarnato, eterno e storico, che, per questo e da subito si è posta come essenziale la domanda su come e dove vedere il «Dio invisibile».)

None, really? What about the so-called Hinduism? What about the importance of the localisation of deities in a precise icon in which God is not only re-presented, but actually present? Could not we stop using comparison to enhance the value of what we are doing? Could not we start saying that “Christian faith has had a deep relation to the images of God” without claiming what we do not know?

Theology in a community of believers in methodology? (On Ram-Prasad 2014)

Can one speak of theology without partaking a given faith and belonging to a given community of believers? Religious texts can be read as historical or literary documents, but can they also be read as theological ones outside a community of believers?

Is bhakti a philosophy? Daya Krishna 2000

I am grateful to Elise Coquereau for bringing me back to one of my past interests, namely Daya Krishna‘s philosophy. Daya Krishna was a polyedric genius, who wrote on economics, sociology, history of Western and Indian Philosophy, aesthetics, etc., always with a revolutionary and unconventional spirit.

One God, one Śāstra — A panel for the WSC 2015

One God, one śāstra: philosophical developments towards and within Viśiṣṭādvaita Vedānta between Nāthamuni and Veṅkaṭanātha

In the case of the Viśiṣṭādvaita Vedānta school, one has the advantage of having some basic historical elements to judge about the development of the theological and philosophical thought of the school. We have, in fact, at least some historical data about the time, place and personality of key figures such as Yāmuna, Rāmānuja and Veṅkaṭanātha and a good amount of works from them has survived and can be accessed. Some attempts have been made (e.g., by Oberhammer, Neevel, Mesquita) to offer a general interpretation of this early development, but many problems have remained open, and not only because of the lack of materials (regarding, e.g., Śrīvatsaṅka Miśra, Nāthamuni, important parts of Yāmuna’s work, etc.).
This panels aims at joining scholars working on the early Viśiṣṭādvaita Vedānta, and making them discuss the development of Viśiṣṭādvaita Vedānta from its forerunners to a full-fledged philosophical and theological phenomenon. Possible leit-motivs in the analysis of this development can be topics such as (the list does not aim to be exhaustive):

  • the increasing importance of the topic of aikaśāstrya, possibly paralleling the emphasis on the existence of just one God
  • the adaptation of other schools to one’s theistic approach (from Nyāya and Yoga in the case of Nāthamuni to Uttara Mīmāṃsā in the case of Rāmānuja, to Pūrva Mīmāṃsā and again Nyāya for Veṅkaṭanātha)

Organisers: Elisa Freschi, Marcus Schmücker

Participants at July the 1st 2014: Francis X. Clooney, Elisa Freschi, Robert Leach, Halina Marlewicz, Erin McCann, Lawrence McCrea, Srilata Raman, Marion Rastelli, Marcus Schmücker

If you are interested in participating, or in knowing further details, please drop a comment here or send a line at my email address (my name dot my surname at gmail dot com).

The 16th World Sanskrit Conference will take place from the 28th of June to the 2nd of July in Bangkok. Further infos can be found here.

Forging Indian philosophical texts

Did Indian authors forge their authorities? Did they need it, given the freedom commentators enjoyed (so that Śaiva texts have been used by Vaiṣṇava authors (see the Spandakārikā) and dualist texts by non-dualist authors (see the Paratriṃśikā) as their authorities)?

Will the journey ever come to its goal? On Clooney 2013

Several years ago I had some pain in convincing a friend working on Husserl that the “phenomenologist” J. Mohanty which he knew too well was the same as the scholar of Sanskrit Philosophy J.N. Mohanty (I had similar problems in convincing the same person that avatar is a Sanskrit word). Just like there are two Mohantys, with two different target audiences, so there are two F.X. Clooneys.