From unfinished starting points to new balances

The common background of all Mīmāṃsā authors is based mainly on Jaimini’s Mīmāṃsā Sūtra (henceforth PMS) and Śabara’s Bhāṣya `commentary’ thereon (henceforth ŚBh). I refer to this phase in the history of Mīmāṃsā as ”common Mīmāṃsā”, since the authority of these texts was accepted by all later Mīmāṃsā authors.

Various later Mīmāṃsā authors rethought this inherited background, in particular, on two connected issues:

  1. How later Mīmāṃsā authors reconsidered the classification of obligations implemented in the early Mīmāṃsā
  2. What later Mīmāṃsā authors considered to be the real trigger for obligations

They will implement in both cases reductionistic strategies which, however, were based on very different presuppositions. They introduced to the background Mīmāṃsā new assumptions, although these were —according to the ancient Indian étiquette— concealed as (re)interpretations of the ancient lore.

As for No. 1, the Mīmāṃsā school operates presupposing that prescriptions could enjoin:

  • nitya-karman `fixed sacrifices’, to be performed throughout one’s life, such as the Agnihotra, which one needs to perform each single day
  • naimittika-karman `occasional sacrifices’, to be performed only on given occasions, e.g., on the birth of a son
  • kāmya-karman `elective sacrifices’, to be performed if one wishes to obtain their result, e.g., the citrā sacrifice if one desires cattle

Here one can see already how the scheme offers the chance for different interpretations, precisely according to one’s interpretation of No. 2, namely of the understanding of what is the real motivator of one’s action, as below:

elective specific desire
occasional occasion, generic desire
fixed generic occasion (being alive), generic desire

Should you upload your articles on Academia.edu, Research Gate, etc.?

Should you upload your articles, presentations and further material online?
Reasons for not doing it:

  • People might criticise you because they read your unfinished stuff (this of course only applies if you are considering to upload unfinished articles).
  • It takes time, and you should rather use your time to write or read.
  • Academia.edu, etc., are for-profit and one should rather not help them (however, they also retain a free version and moreover see No. 3 below).
  • Are there other arguments I forgot?

Reasons for doing it:

  1. You can reach more people.
  2. You can interact with more people, especially scholars you would not meet at your usual conferences.
  3. You can reach people who would not be able to read your articles because they are not affiliated to a university and/or their university does not possess a library and/or their university’s library does not have access to the journals where you published.

I think that especially No. 3 is relevant and cannot but lead one to conclude that the ethically correct choice involves uploading one’s work. What do you think?

“Wrestling with the angel”

Intercultural philosophy is based on a dialogue, i.e., not just on a sheer juxtaposition of monologues, since such a juxtaposition would not lead to any new result and both partners would not be able to gain anything out of it. In order to achieve this result, one needs to be able to engage in a real dialogue. This is a less trivial issue than it may look like at first sight and in fact thousands of pages, from Plato to H.-G. Gadamer, have been dedicated only to the topic of how can dialogues and especially philosophical dialogues take place. The situation becomes even more difficult when in addition to the normal boundaries between people one needs to cross the additional bridge of cultures and of time. How can such a dialogue look like?

A.L. Leloir from render.fineartamerica.com

(Aadam Aziz tries to pray again after his returnal from Germany to Kashmir, but memories of his friends keep on popping up in his mind:)

‘… You alone we worship, and to You alone we pray for help…’ –so here he was, despite their presence in his head, attempting to re-unite himself with an earlier self which ignored their influence but knew everything it ought to have known […] And my grandfather, lurching upright, made a resolve. Stood. Rolled cheroot. Stared across the lake. And was knocked forever into that middle place, unable to worship a God in whose existence he could not wholly disbelieve. Permanent alteration: a hole.

Salman Rushdie
Midnight's Children (Picador, 1981), 11--12