Woody Allen’s “The Irrational Man” between existentialism and reuse
Woody Allen’s last movie, The Irrational Man (henceforth TIM) keeps on discussing about luck and case, a topic which was at the center of his Match Point (MP). In both movies, the “villains” end up being punished, in a (too) straightforward way in TIM and in a subtler one in MP. Notwithstanding that, one of the strengths of TIM is that the condemnation of the villain is so straightforward, that one is lead to suspect that his punishment only happened by chance and not as a result of justice. If you are interested in the topic and can read Italian, you can read my analysis of MP in the light of Viśiṣṭādvaita Vedānta here.
If you don’t know Italian, you might have missed that the climax scene of TIM is a quotation* of the corresponding climax scene of Il Vedovo, a 1959 movie by Dino Risi, which also elaborates on the topic of trying to organise the perfect murder of an unpleasant person. The main difference lies in the fact that W. Allen sympathises with the prospective murderer (a philosophy professor who dislikes Kant’s Categorical Imperative and is fond of Sartre) much more than D. Risi, whose commedy really has no hero.
*I do not think it is a simple reuse of a convenient device. The similarity is so striking that the director surely intended his public to recognise what he was doing. In this sense, the movie presupposes a public of connaisseurs (along the public of people paying the tickets). I discuss the terminology related to reuse in the Introduction of a forthcoming volume edited by me and Philipp Maas. Its basic ideas can be read here (where “pragmatic reuse” stands for what we later labelled “simple reuse”).